In my last post, I talked about my latest collection of vintage lenses and how well they shoot. I’ve also said that I’m still on the lookout for more vintage lenses! Whenever I find myself in an antique store, I always look for old camera equipment. On a recent trip to Jackson, California, I found myself in one of the local antique shops. Inside one of the glass cases was a collection of vintage lenses that all looked interesting. However, there were two that stood out. One of the lenses I ended up buying was a Yashica Yashinon DS 50mm F1.9, for $15. Little did I know what an interesting lens this is!
In a world filled with all sorts of “Nifty-50” lenses, this lens is somewhat special. The Yashica Yashinon DS 50mm F1.9 has the interesting distinction of being a very good bokeh lens, while still maintaining sharpness across the board. There’s even some swirling in the Bokeh effect! While not as dramatic as the Helios 44-2, this lens wide open almost creates a “halo” of bokeh around your subject. I took the lens out for a quick test run with my Canon Rebel T5i and a Fotodiox M42-EOS adapter. While I had a short amount of time before sunset, I was pleased with the images this lens was producing.
I shot most of my images wide open at F1.9 in order to test out image sharpness. Usually, shooting wide open with a vintage lens isn’t ideal, as you lose sharpness. However, this lens didn’t lose much sharpness at all wide open. It’s even sharper than my Canon FD 50mm F1.8. Well-let scenes came out sharp with a natural contrast, while still retaining that dreamy Bokeh effect. Comparatively, the Canon FD 50mm F1.8 I own almost becomes washed out where it looks like a dream sequence on a soap opera. I imagine that shooting at F2.8 would not only produce much sharper images, but still keep that distinctive Bokeh effect!
The Yashica Yashinon DS 50mm F1.9 also produces images with a slight yellow tint, which I find helpful. Often when I’m shooting with a vintage lens, the colors tend to be on the cooler side. I usually have to adjust the white balance in order to produce an accurate result. Not so with the Yashica! Although some scenes did come out a little too warm, I was still pleased with the results. This lens also works very well as a Black and White photography lens. Black and White images with this lens have great contrast and detail. In addition, the vignetting in color and black and white images feels natural. This makes for both a nice landscape lens, and a great portait lens!
I did notice a few weaknesses of the lens. The focus throw tends to be long, and sometimes sticks. The stickiness might be from the age of the lens however. Also, the lens doesn’t do too well when shooting close to the sun. Images get washed out and the lens flare is massive. I would suggest getting a polarizer and a lens hood when shooting in direct sunlight. I also noticed that there are no half-steps in between apertures. This is a minor nitpick, however.
Despite these minor flaws, the build quality of this lens is very good! While the lens is smaller than my Nikon Nikkor-SC 50mm F1.4, it still feels hefty. The majority of the construction is metal and glass, with a rubberized focus ring. In other words, this is a high quality piece of kit for a really good price! I got really lucky finding this lens for $15! Normally, you can find the Yashica Yashinon DS 50mm F1.9 on Ebay for between $30-$60. Now compare that with some other well-known lenses, and you’ve got yourself a bargain!
While I only just started messing around with this lens, I plan on taking it with me on a later excursion to really test out how it works at higher apertures. I might even take it with me to the next Folsom Cars and Coffee! The possibilities of this impulse-buy lens is exciting. I also mentioned that there were two lenses I looked at. I’m going to have to order yet another adapter in order to use this other lens. But, it was definitely the stranger of the two I picked, so it might be worth it!
Until next time!